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Top pop songs played on the radio

The Radio Songs chart previously named Hot Airplay [1] is released weekly by Billboard magazine and measures the airplay of songs being played on radio stations throughout the United States across all musical genres. It is one of the three components, along with sales both physical and the digital and streaming activity, that determine the chart positions of songs on the Billboard Hot Radio airplay has always been one of the component charts of the Hot Prior to the establishment of the Hot , Billboard published a radio airplay chart, a singles sales chart and a jukebox play chart, the last of which was discontinued in as jukeboxes lost their popularity. During the s and s, Billboard continued to collect airplay data as a component of the Hot but did not make the chart public. The airplay-only chart debuted as a position chart on October 20, , and was expanded to 40 positions on May 31, On December 8, , Billboard introduced the position Top 40 Radio Monitor chart positions on December 8, , which ranked songs measured by the number of spins each song on monitored radio stations and the ratings for those stations when the songs were being played based on Nielsen BDS technology. Each week, the Radio Songs chart ranks the songs with the most airplay points frequently referred to as audience impressions, which is a calculation of the number of times a song is played and the audience size of the station playing the tune. A song can pick up an airplay point every time it is selected to be played on specific radio stations that Billboard monitors. Radio stations across the board are used, from Top 40 Mainstream which plays a wide variety of music that is generally the most popular songs of the time to more genre-specific radio stations such as urban radio and country music.
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Radio is still powerful in the US market, but as powerful as it is the BTS ARMY.

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Top 100 Songs

Korean-pop supergroup BTS made pop history on August 31 when it became the first Korean group to have a number-one single on the Billboard Hot with their first wholly English-language single Dynamite. It also set a YouTube record for the most views in 24 hours. These charts are based on three metrics — streaming, radio airplay and digital sales in order of importance. The radio component of the charts is derived from monitoring radio airplay from over 1, radio stations throughout the United States. ARMY has long realised that one way to ensure the success of their chosen group and their visibility within western media is through sales and streaming. Media academics, Dal Yong Jin and Kyong Yoon suggested that the lack of Korean pop content in mainstream media catalysed the development of the Korean pop culture social mediascape. Around million Americans still listen to radio, with radio reaching more Americans than any other platform in The inclusion of radio airplay within the Billboard Hot metric keeps the major charts bent in favour of English-language, particularly Euro-American American, Canadian and British , music. The fact that K-pop, despite its popularity, continues to receive such low or non-existent radio play is arguably due to gatekeeping of radio rather the preferences of the audience. This exclusion applies to other languages on American radio.

You believe your song should be playing on the radio. It doesn't appear to be too complicated a task. You'll then need to promote your song to them using a combination of press releases or one-sheets, phone calls, and faxes. The stations that are interested in the song will play it. While this sounds easy, the truth is that it is much harder than that. Radio promotion is anything but easy. Getting your song played on the radio is incredibly competitive. It does mean that you should understand a few things about the world of broadcasting if you ever hope to turn the dial and hear your song coming out of the speakers.

There are two kinds of radio: non-commercial radio non-comm and commercial radio. Non-commercial non-comm radio encompasses college radio, and community radio stations including NPR stations and commercial radio is everything else stations with commercials.

Non-commercial radio is the most likely starting place for an up and coming independent artist. College radio is very friendly to such artists, and community radio stations often are as well.

You shouldn't feel as if getting plays your music played on air on this kind of radio is somehow "less" than getting played on a commercial station. Some non-comm stations are hugely popular, and furthermore, succeeding in the non-comm arena can lead commercial radio stations to take notice. After non-comm, independent artists often turn to small commercial radio stations. In this way, getting songs played on the radio is a bit like stacking blocks. You develop a foundation of plays on non-comm radio, which you use to build up to small commercial stations, which hopefully leads to airtime at medium stations.

However, it is important to note that there is more to the process of moving up the radio ladder than just getting plays at smaller stations. Radio stations want to see your entire music career progressing along with your radio plays. If you aren't touring, picking up more press and selling an increasing amount of music, then larger stations aren't going to want to play your song. Large stations judge your songs on their ability to increase their ratings by playing your music, not on the song quality itself.

Keep in mind that radio stations are businesses trying to make money. If you are not showing the potential to increase revenue for a station, your music will not be selected. Your songs might be amazing to your fans, but on a larger scale, they may not be able to generate revenue if you are not booking shows, not active on social media, nor making an effort to promote yourself as much as possible.

You should start at least four weeks in advance of your add date also known as "adds", the date a station can add your music to their playlist to run a decent campaign, and a few extra weeks may be in order if you're new to the game. During the start of your radio promotion push, you'll mail out promo CDs to all the program directors of the stations that you're targeting. After that, you'll spend about a week confirming your packages were received, soliciting initial feedback and re-sending any promos that didn't make it to their intended recipient.

The next few weeks will be spent soliciting feedback about the single while trying to get commitments from stations. All the while, you'll be updating the program director with news about the musicians relevant to that market—shows, sales and so on.

During the last week of the campaign, you'll do a final push for adds and then wait for the results to come in. That's a short rendition of the process, but that's it in a nutshell—and that's the same process used to promote non-commercial radio up to the top major station in a large market. The best way to get your song on the radio is to approach the radio stations that are appropriate for the stage your career is in.

If you're just starting to break into radio , focus on the non-comms and take it from there. Some artists may never get played anywhere but college radio and still thrive in their music careers. Build a realistic, easily managed radio campaign, and you'll begin to see success on the airwaves. The Balance Careers uses cookies to provide you with a great user experience. By using The Balance Careers, you accept our. Music Careers Industry Basics.

By Full Bio Follow Linkedin. She has worked in the music industry for over two decades. Read The Balance's editorial policies. Article Table of Contents Skip to section Expand. Radio Promotion. Non-Commercial Radio. Commercial Radio. Radio Campaign. The Bottom Line. Continue Reading.



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